Peter Jackson’sThe Hobbitmovies were a huge financial success, yet, despite their impact, many fans continue to wonder what the franchise would have looked like had original director Guillermo del Toro remained attached. After the success of theLord of the Ringstrilogy, the intention was for del Toro to take the reins, ushering in a new era for Middle-earth. However, as circumstances conspired against the production, del Toro was forced to step back, leaving audiences to ponder one of the great “what-ifs” of fantasy cinema.

Del Toro’s proposed involvement inThe Hobbitwas initially greeted with palpable excitement. Although his movies have not historically been known for the same epic scale and extravagance as Jackson’s,projects likePan’s LabyrinthandThe Devil’s Backbonedemonstrated del Toro’s ability to tell fantastical stories. Unfortunately, production delays forced the Mexican-born director to abandon his plans, despite extensive pre-production and design work. However, whileJackson’sHobbittrilogyhas seemingly extinguished all hope of seeing del Toro’s vision brought to life, one 2022 project suggests that revisitingThe Hobbitwould still be a worthwhile endeavor.

Martin Freeman as Bilbo in front of the Eye of Sauron

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Pinocchio Proves We Need More Del Toro Versions Of Classic Stories

The Movie Was A Major Critical Hit

Part of the concern around the initial proposals forThe Hobbitwas how faithfully any adaptation could recreate Tolkien’s story. UnlikeThe Lord of the Rings,The Hobbitis a relatively short book. This made some critics skeptical (both before and after Jackson’s movies were released) that a lengthy trilogy was the right way to go. However,while Jackson’s approach was ultimately criticized in many quarters for unnecessarily elongating the story, del Toro has plenty in his back catalog to suggest that his approach would feel more true to the original. Specifically, his 2022 moviePinocchiodemonstrates how adept he is at adaptation.

Guillermo del Toro’s Pinocchiois available to stream on Netflix.

Based on the 19th-century novelThe Adventures of Pinocchio,del Toro’s movie was critically acclaimed on release. Boasting an impressive 96% rating on the review aggregatorRotten Tomatoes, the film was praised for its bold changes to the source material, its expert use of stop-motion animation, and dark fantasy storytelling that evoked many of the more sinister elements of the original text. On its own terms, the movie was considered a major success. However, it also highlighted how capable del Toro is of bringing popular stories to life, infusing them with his own unique aesthetic. This is a trait he could still bring toThe Hobbit.

Peter Jackson’s Hobbit Films Shouldn’t Be An Obstacle To Del Toro’s Take

It’s not just thatPinocchiowas a successful adaptation of a popular book that proveswhy del Toro should return toThe Hobbit. In fact, its existence counteracts one of the major arguments against del Toro’s vision ever coming to fruition – namely, thatwe already have aHobbitadaptation in the form of Jackson’s movies. Despite their financial success,Pinocchio’s history proves that existing adaptations needn’t be an obstacle to future versions.

Not only wasPinocchiofamously adapted into an animated Disney movie in 1940, but the novel has received dozens of different adaptations across the 20th and 21st centuries. Perhaps most pertinently forThe Hobbit,del Toro’s own version was preceded by a live-action Disney remake in the same year. This demonstrates that proximity doesn’t mean an alternate version can’t succeed. It’s been 12 years sinceThe Hobbit: An Unexpected Journeyarrived on screens – far longer than the gap between Disney and del Toro’s competingPinocchios. Just because oneHobbitseries already exists, they aren’t automatically the definitive take on the source.

The Lord of the Rings Franchise Poster with Gold Words Resembling a Ring

Like Pinocchio, The Hobbit Is Still A Perfect Fit For Del Toro’s Style

There’s A Reason Why He Was Originally Selected To Direct

Although it was animated, rather than the live-action style originally proposed for del Toro’sHobbitproject,Pinocchiononetheless exemplifies why the director would be perfectly suited to Tolkien’s world. Much ofwhat makes del Toro successful is his willingness to embrace darkness. This runs right the way through his work, from the horrific monsters ofPan’s Labyrinthto the authoritarian tendencies of del Toro villains like Michael Shannon’s Strickland inThe Shape of Water. It’s on full display inPinocchio, too, with the movie featuring genuinely disturbing scenes of death and violence.

Much of the power of Tolkien’s book comes from the juxtaposition between the wonder of the fantasy world and places like Rivendell against the genuine peril posed by horrific threats…

This ability to balance dark, difficult themes within the context of a children’s story makes him a perfect choice forThe Hobbit. Much of the power of Tolkien’s book comes from the juxtaposition between the wonder of the fantasy world and places like Rivendell against the genuine peril posed by horrific threatslike the Mirkwood spiders and the terrifying dragon, Smaug. This constant interplay between light and dark is exactly what helped makePinocchiosuch a critical hit and would translate perfectly to Tolkien’s surprisingly murky Middle-earth.

Another aspect ofPinnochiothat demonstrates just what del Toro would bring toThe Hobbitis the distinctive look of the film. As in all del Toro projects,Pinnochio’s characters have a strange beauty that is both magical and slightly nightmarish. The movie’s depiction of Death echoes the faun fromPan’s Labyrinth, while the terrifying leviathan featured in the film’s climax is a clear indication of thedesign del Toro could have brought to a creature like Smaug. The director has consistently proven thatcreating distinctive magical creatures is one of his biggest strengths– essential in any Tolkien story.

We Deserve Truly Great Hobbit Movies – And Del Toro Could Deliver

Jackson’s Trilogy Leaves A Lot To Be Desired

While the success of del Toro’sPinocchioproves that hisHobbitcould be a success, it is perhaps not the most compelling reason for a fresh perspective on the story. The fact is that, for all their financial success,Peter Jackson’s movieswere a disappointment to many people. UnlikeThe Lord of the Rings, which lent itself to movies with extraordinary scope and scale,The Hobbitis a much more self-contained adventure.The attempt to imbueThe Hobbitwith the same epic sense ultimately left the films feeling bloated, creating inevitable unfavorable comparisons toThe Lord of the Rings.

It’s easy to see how del Toro’s unique perspective could alter aspects of Jackson’s version, bringing new ideas to the table and potentially creating something more in line with Tolkien’s intention.

It’s easy for fans to feel disappointed at this outcome. However, the fact is that the situation is actually an opportunity. UnlikeThe Lord of the Rings, which are considered cinematic touchstones by many, there is potential for improvingThe Hobbitwith an alternate take. It’s easy to see how del Toro’s unique perspective could alter aspects of Jackson’s version, bringing new ideas to the table and potentially creating something more in line with Tolkien’s intention. As the first attempt proved, there are many legal and organizational hurdles. However, the inevitable complexity doesn’t mean del Toro’sThe Hobbitshouldn’t still happen.